7/31/2023 0 Comments Touchez pas au grisbi acteurs![]() Max has frequently urged Riton to start acting his age, but his pal hasn't been able to break his bad habits and he has accepted that he would have to do his best to watch after him like an elder brother. But despite his age Riton simply cannot stop behaving like a prisoner who has not been with a woman for years - he is constantly out and enjoying the company of beautiful prostitutes who love money even more than he does. All they have to do now is wait for the smoke to blow over and when the time is right trade the four cases with the stolen gold bullion bars for cash. The aging gangster Max (Jean Gabin, Le Jour se Lève) and his best pal Riton (Rene Dary, Les Risques du métier) have pulled off a brilliant heist and are ready to retire. In Touchez Pas au Grisbi the style is everything. It is not the story, it is not the drama or the action. In fact, this is precisely the reason Touchez Pas au Grisbi is a great film. Some films try really, really hard to be cool, and some, like Jacques Becker's Touchez Pas au Grisbi, simply are. In French, with optional English subtitles for the main feature. The supplemental features on the disc include an original trailer for the film new video interview with assistant director Jean Becker archival interview with actress Jeanne Moreau video interview with professor Ginette Vincendeau and new audio commentary by critic Nick Pinkerton. "Don't Touch the Loot" (1954) arrives on Blu-ray courtesy of Kino Lorber. ![]() Jacques Becker's "Touchez Pas au Grisbi" a.k.a. A fine supporting cast includes a young Lino Ventura and an even younger Jeanne Moreau.Reviewed by Dr. And this film takes as much pleasure in watching Gabin open a bottle of wine as it does observing him in action. If its code of honour and its world of safe houses (and the absence of any police) make it seem like a wartime resistance film, it does also show what other gangster movies often ignore: that the reason for earning money dishonestly is to be able to live in style. Becker’s film, full of neat angles and delightful little bits of business, is laconic and admirably methodical. ![]() Instead he finds himself in a world of moody double-crosses. An ageing and weary Gabin attempts to retire after one last robbery. ![]() “This model French gangster picture set the rules for the great sequence of underworld movies from Jean-Pierre Melville that followed. But it’s Gabin’s show all the way, anticipating the melancholy, atmospheric gangster pictures of Jean-Pierre Melville that started to appear a couple years later.” Jeanne Moreau, in one of her first parts, plays a showgirl who two-times Gabin’s similarly aging partner (Rene Dary), and future star Lino Ventura also puts in an appearance. “Jean Gabin wasn’t yet 50 when he starred as a big-time, high-style gangster hoping to retire, but he still looks pretty wasted, and this pungent tale about aging and friendship, adapted from a best-selling noir thriller by Albert Simonin, would be hard to imagine without his puffy features. He is the original, so there is no need to look for inspiration.” But the great French noirs of the 1950s are not copies of Hollywood instead, they have a particularly French flavor in Touchez Pas au Grisbi, the critic Terence Rafferty writes, ‘real men eat pate,’ and this is ‘among the very few French movies about the criminal class in which neither the characters nor the filmmakers are afflicted by the delusion that they are Americans.’ A few years later, in Godard’s Breathless (1960), Belmondo would be deliberately channeling Bogart, but here Gabin is channeling only himself. “The world of French crime films is a particular place, informed by the French love for Hollywood film noir, a genre they identified and named. But when moll Jeanne Moreau spills the beans to bad guy Lino Ventura (in his debut), it’s time for a showdown. (1954, Jacques Becker) Over-the-hill gangster Gabin has just pulled the heist of a lifetime: enough grisbi (loot) for a cushy retirement.
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